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Streaming and Download help. Report this album or account. If you like The Jesus Lizard, you may also like:. Atomizer Remastered by Big Black. Low continue to push the heavy distorted sounds of their previous album, and I am all here for it. Coriky by Coriky. Definitely hear the Fugazi groove in this. The whole album is solid throughout. Dave Jones. Punchy power pop with big riffs and classic Midwest emo-style vocals from Chicago's The Marbled Page.

A pair of gutsy indie rock songs from Adelaide outfit running joke that are as hooky as they are bone-brittle. Twilight EP by Wisbands. A riveting jam session from Pittsburgh, Pa. Dopesmoker by Sleep. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic.

Romantic Sad Sentimental. Sexy Trippy All Moods. While each member now lives in opposite corners of the country—Yow in Los Angeles, Sims in New York, Denison in Nashville and McNeilly still in the Chicago area—none of them remembers any added tension as a result of almost never being able to get away from their roommates. We were also a little bit older. I think we had a better perspective on that. Living together allowed the band to introduce ideas whenever the mood struck.

Sometimes the music might inspire them. There were a couple times when I was unprepared and we were in the studio, and I had to shit them out pretty fast. Liar was recorded much the same way its predecessors were—in just a few days at Chicago Recording Company with Steve Albini.

Most of the songs had been thoroughly vetted onstage at this point, so the band was usually able to nail each within a couple takes. At the same time, the musicianship far surpassed what one would normally associate with a punk or hardcore record.

He had a lot of cool recording ideas, and he works quickly and efficiently. Their next album, Amplifier Worship, came out on the Mangrove label in and was also unavailable in the U. Etykiety: noise rock , psychedelic rock , stoner rock. It has been reactivated several times after ; the latest album Folkmusik was released in Folkstorm mainly deals with the subject of war and political ideologies in its songs. Etykiety: industrial , noise , power electronics. It is 79 mins and 59 secs long, but separated in 10 tracks.

A 65 minute song comprised of dirty heavy doom, drone and noise. Etykiety: drone doom metal , sludge metal. Their first release, a demo, was followed by their full length debut, Migration in The band, bringing sounds and influences from such earlier bands as Wickerman and Behold!

Etykiety: atmospheric sludge metal , doom metal , sludge metal. June of 44 released their work on Quarter Stick with the exception of Fish 6. June of 44 split up in Etykiety: indie rock , math rock , noise rock , post-hardcore , post-rock. Comprised of Zorn on alto sax, Wayne Horvitz on keyboards, Bill Frisell on guitar, Fred Frith on bass, and Joey Baron on drums and occasionally vocalist Yamatsuka Eye , Naked City, more than any other Zorn-led group, established him with a rock audience.

The band had an enormous repertoire and its sets were famously unpredictable. Zorn says that he conceived the band as a compositional workshop; the challenge was to write as much as possible within the limited format. Once he stopped "hearing and writing for the band," it disbanded. Autor: morbidmind o 3 komentarze.

Etykiety: avant-garde jazz , experimental , grindcore. Taking audible inspiration from the third Velvet Underground album and scene pioneers Galaxie , but adding a more aggressive tone and slowing the tempos down even further, Codeine sounded almost entirely unique at the time.

However, their style was immediately adopted by a number of other new bands, some of which do the tense and glacial thing even better. Their debut album, Frigid Stars LP, was released by Glitterhouse in late and Sub Pop in the spring of to generally positive reviews An admirer of Young, Glass, and Reich, and a mentor to members of Sonic Youth, Helmet, and the Swans, Branca helped pollinate the downtown New York scene in the s and '90s and infused experimental rock with minimalist ideas. While he earned his reputation with a series of high-volume, microtonal works for multiple electric guitars, his oeuvre also includes works for traditional orchestral forces.

In the face of Branca's eclectic output and rather ambiguous aesthetic, the label "crossover" is at once convenient and clumsy. Branca was born in in Harrisburg, PA. He studied theater at Emerson College, and briefly tried playwriting before turning to more musically oriented projects.

Branca's subsequent band, the Static, incubated Branca's signature obsession: turning minimalism's hyperattentive ear for microacoustic detail toward the harmonically complex sounds of electric guitars. The works for this group were characterized by intense sound fields shimmering with upper overtones drawn out through alternative tunings.

John Cage famously complained, after attending a performance of Indeterminate Activity of Resultant Masses , that "I found in myself a willingness to connect the music with evil and with power If it were something political, it would resemble fascism. In Branca composed his Symphony No. In June he presented his most sonically ambitious project of all -- at, of all places, the base of the World Trade Center: his Symphony No. Etykiety: drone , experimental rock , noise rock. The Fall frontman contacted Martin in to ask him for a submission for Disparate Cognescenti, a compilation Smith was then planning for release on the Cog Sinister label.

Initially, Martin's main musical partner was Shane Rogan, who handled guitar while Martin concentrated on tenor sax and vocals. There was no set God lineup or even a particular musical style for the remainder of the '80s, with the two working with a variety of players while Martin's energy went in part to running London's Mule Club, where God often performed alongside bands like Napalm Death and Godflesh. Guitarist Justin Broadrick, veteran of the former and leader of the latter, soon befriended Martin, helping to produce the band's debut release, Breach Birth, a EP on Situation Two Records.

Broadrick soon formally joined God as part of his regular musical partnership with Martin, which included such projects as Techno-Animal and Ice, while God themselves expanded to a more or less regular nine-person roster. Loco, God's next major release, was a live album appearing on Martin's own Pathological label in , demonstrating the band's newfound focus on combining numerous free jazz inspirations from the '70s and '80s with amp-bursting heavy metal.

Possession followed in , the group's formal, album-length studio debut, which surprisingly turned up on Virgin Records; saw another live album, Consumed, which appeared on the likely more amenable label Sentrax. Martin and Broadrick then pursued their other joint efforts, but God went permanently on ice.

Etykiety: experimental , industrial. After the progressive metal-oriented Maudlin of the Well disbanded in late , some of the group's members were lost, and a change of direction was needed. Toby Driver vocals, guitar, electronics , Greg Massi guitar, vocals , Nicholas Kyte bass, vocals , Sam Gutterman drums, vocals , and Terran Olson keyboards, flute, clarinet, saxophone carried on and formed Kayo Dot in early While Maudlin of the Well lived in the metal arena, Kayo Dot approached music with a more modern classical attitude.

Composition was strict and the band showed interest in playing concerts the way orchestras do, more formal and in more traditional venues. Guitars and vocals still drew from the world of rock and metal, but to stress this was a new band and direction, concerts contained no Maudlin of the Well material.

John Zorn's avant-garde- and experimental-leaning label, Tzadik, issued the band's debut, Choirs of the Eye, in late Etykiety: avant-garde metal , experimental , experimental rock. The group decided to continue to play together in Helge Sten's studio and recorded endless hours of tape, eventually spliced into 's , a three-CD collection of wild, percussive free jazz with flourishes of Aphex Twin-like electronics.

Integral to the band from this time on was their desire to only exist as a performing group -- they never "write" songs, practice, and barely even speak to one another outside of gigs. This release, like all others, is without overdubs and with minimal production. On 4, the group incorporated the influence of fellow Rune Grammofon labelmate Arne Nordheim, an electro-acoustic composer whose dark-tinged experiments are a studio controlled kin to Supersilent.

The uncreatively named 5 was compiled from over 30 hours of live recordings at live performances in Oslo, London, and Bologna in Here, Henriksen's strong skills come to the fore while more traditional jazz elements take hold in the din of noise. Etykiety: electronic , experimental rock , free improvisation. The band formed around , originally performing improvised music to 16 mm film projections.

Etykiety: noise , noise rock , sludge metal. Terminally fuzzed-out and distorted, earth moving riffage and shrieking, eviscerating extended solos with sheer brute force. Etykiety: noise , noise rock , psychedelic rock. EP []. Etykiety: dream pop , noise pop , shoegaze. Ivany and bassist Ben Armstrong felt the need to pursue further musical endeavors, and in formed the avant-garde, post-rock psych outfit the Psychic Paramount.



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